Westminster Palace, rebuilt from the year 1840 on the site of important medieval remains, is a fine example of neo-Gothic architecture. The site – which also comprises the small medieval Church of Saint Margaret, built in Perpendicular Gothic style, and Westminster Abbey, where all the sovereigns since the 11th century have been crowned – is of great historic and symbolic significance.
Westminster Palace, Westminster Abbey, and St Margaret’s Church together encapsulate the history of one of the most ancient of parliamentary monarchies of present times and the growth of parliamentary and constitutional institutions.
In tangible form Westminster Abbey is a striking succession of the successive phases of English Gothic art and the inspiration of the work of Barry and Pugin on the Palace of Westminster.
The Palace of Westminster illustrates in colossal form the grandeur of constitutional monarchy and the principle of the bicameral parliamentary system, as envisaged in the 19th century, constructed by English architectural reference to show the national character of the monument.
The Palace is one of the most significant monuments of neo-Gothic architecture, as an outstanding, coherent and complete example of neo-Gothic style.
Westminster Hall is a key monument of the Perpendicular style and its admirable oak roof is one of the greatest achievements of medieval construction in wood.
Westminster is a place in which great historical events have taken place which have shaped the English and British nation.
The church of St Margaret, a charming perpendicular style construction, continues to be the parish church of the House of Commons and is an integral part of the complex.
Criterion (i): Westminster Abbey is a unique artistic construction representing a striking sequence of the successive phases of English Gothic art.
Criterion (ii): Other than its influence on English architecture during the Middle Ages,
the Abbey has played another leading role by influencing the work of Charles Barry and Augustus Welby Pugin in Westminster Palace, in the “Gothic Revival” of the 19th century.
Criterion (iv): The Abbey, the Palace, and St Margaret’s illustrate in a concrete way the specificities of parliamentary monarchy over a period of time as long as nine centuries. Whether one looks at the royal tombs of the Chapterhouse, the remarkable vastness of Westminster Hall, of the House of Lords, or of the House of Commons, art is everywhere present and harmonious, making a veritable museum of the history of the United Kingdom.
Long Description
Westminster Abbey, the Palace and St Margaret’s illustrate in a concrete way the specificities of parliamentary monarchy over nine centuries. Whether one looks at the royal tombs or the chapter house, the remarkable vastness of Westminster Hall, of the House of Lords or of the House of Commons, art is everywhere present and harmonious, making it a veritable museum of the history of the United Kingdom. Westminster Abbey is a unique artistic construction representing a striking sequence of the successive phases of English Gothic art. In addition to its influence on English architecture during the Middle Ages, the abbey has played another leading role by influencing the work of Barry and Pugin at Westminster Palace, in the ‘Gothic Revival’ of the 19th century.
On 16 October 1834, a fire almost completely destroyed the old Westminster Palace. Since 1547, it had been the seat of regular parliamentary assemblies.
(No Ratings Yet)