When Camorak reigned at Arn, and the world was fairer, he gave a festival to all the weald to commemorate the splendour of his youth.
They say that his house at Arn was huge and high, and its ceiling painted blue; and when evening fell men would climb up by ladders and light the scores of candles hanging from slender chains. And they say, too, that sometimes a cloud would come, and pour in through the top of one of the oriel windows, and it would come over the edge of the stonework as the sea-mist comes over a sheer cliffs shaven lip where an old wind has blown for ever and ever (he has swept away thousands of leaves and thousands of centuries, they are all one to him, he owes no allegiance to Time). And the cloud would re-shape itself in the hall’s lofty vault and drift on through it slowly, and out to the sky again through another window. And from its shape the knights in Camorak’s hall would prophesy the battles and sieges of the next season of war. They say of the hall of Camorak at Arn that there hath been none like it in any land, and foretell that there will be never.
Hither had come in the folk of the Weald from sheepfold and from forest, revolving slow thoughts of food, and shelter, and love, and they sat down wondering in that famous hall; and therein also were seated the men of Arn, the town that clustered round the King’s high house, and all was roofed with red, maternal earth.
If old songs may be trusted, it was a marvelous hall.
Many who sat there could only have seen it distantly before, a clear shape in the landscape, but smaller than a hill. Now they beheld along the wall the weapons of Camorak’s men, of which already the lute-players made songs, and tales were told at evening in the byres. There they described the shield of Camorak that had gone to and fro across so many battles, and the sharp but dinted edges of his sword; there were the weapons of Gadriol the Leal, and Norn, and Athoric of the
Sleety Sword, Heriel the Wild, Yarold, and Thanga of Esk, their arms hung evenly all round the hall, low where a man could reach them; and in the place of honour in the midst, between the arms of Camorak and of Gadriol the Leal, hung the harp of Arleon. And of all the weapons hanging on those walls none were more calamitous to Camorak’s foes than was the harp of Arleon. For to a man that goes up against a strong place on foot, pleasant indeed is the twang and jolt of some fearful engine of war that his fellow-warriors are working behind him, from which huge rocks go sighing over his head and plunge among his foes; and pleasant to a warrior in the wavering light are the swift commands of his King, and a joy to him are his comrades’ instant cheers exulting suddenly at a turn of the war. All this and more was the harp to Camorak’s men; for not only would it cheer his warriors on, but many a time would Arleon of the Harp strike wild amazement into opposing hosts by some rapturous prophecy suddenly shouted out while his hand swept over the roaring strings. Moreover, no war was ever declared till Camorak and his men had listened long to the harp, and were elate with the music and mad against peace. Once Arleon, for the sake of a rhyme, had made war upon Estabonn; and an evil king was overthrown, and honour and glory won; from such queer motives does good sometimes accrue.
Above the shields and the harps all round the hall were the painted figures of heroes of fabulous famous songs.
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