That Vance Corliss wanted to see more of the girl he had divided blankets with, goes with the saying. He had not been wise enough to lug a camera into the country, but none the less, by a yet subtler process, a sun-picture had been recorded somewhere on his cerebral tissues. In the flash of an instant it had been done. A wave message of light and color, a molecular agitation and integration, a certain minute though definite corrugation in a brain recess, – and there it was, a picture complete! The blazing sunlight on the beetling black; a slender gray form, radiant, starting forward to the vision from the marge where light and darkness met; a fresh young morning smile wreathed in a flame of burning gold.
It was a picture he looked at often, and the more he looked the greater was his desire, to see Frona Welse again. This event he anticipated with a thrill, with the exultancy over change which is common of all life. She was something new, a fresh type, a woman unrelated to all women he had met. Out of the fascinating unknown a pair of hazel eyes smiled into his, and a hand, soft of touch and strong of grip, beckoned him. And there was an allurement about it which was as the allurement of sin.
Not that Vance Corliss was anybody’s fool, nor that his had been an anchorite’s existence; but that his upbringing, rather, had given his life a certain puritanical bent. Awakening intelligence and broader knowledge had weakened the early influence of an austere mother, but had not wholly eradicated it. It was there, deep down, very shadowy, but still a part of him. He could not get away from it. It distorted, ever so slightly, his concepts of things. It gave a squint to his perceptions, and very often, when the sex feminine was concerned, determined his classifications. He prided himself on his largeness when he granted that there were three kinds of women. His mother had only admitted two. But he had outgrown her. It was incontestable that there
were three kinds, – the good, the bad, and the partly good and partly bad. That the last usually went bad, he believed firmly. In its very nature such a condition could not be permanent. It was the intermediary stage, marking the passage from high to low, from best to worst.
All of which might have been true, even as he saw it; but with definitions for premises, conclusions cannot fail to be dogmatic. What was good and bad? There it was. That was where his mother whispered with dead lips to him. Nor alone his mother, but divers conventional generations, even back to the sturdy ancestor who first uplifted from the soil and looked down. For Vance Corliss was many times removed from the red earth, and, though he did not know it, there was a clamor within him for a return lest he perish.
Not that he pigeon-holed Frona according to his inherited definitions. He refused to classify her at all. He did not dare. He preferred to pass judgment later, when he had gathered more data. And there was the allurement, the gathering of the data; the great critical point where purity reaches dreamy hands towards pitch and refuses to call it pitch – till defiled. No; Vance Corliss was not a cad. And since purity is merely a relative term, he was not pure. That there was no pitch under his nails was not because he had manicured diligently, but because it had not been his luck to run across any pitch. He was not good because he chose to be, because evil was repellant; but because he had not had opportunity to become evil.
(No Ratings Yet)